Jess Franco Double Feature: Death Whistles The Blues + Rififi In The City

The American Premiere of Jess Franco's Two Long-Unseen Film Noirs

Following his international breakthrough with THE AWFUL DR. ORLOFF, director Jess Franco delivered a startling pair of crime thrillers that pistol-whipped European notions of film noir while lighting the fuse on Uncle Jess' own insane aesthetic. Both films - which led an impressed Orson Welles to hire Franco as his assistant on CHIMES AT MIDNIGHT - now feature HD scans from the original negatives for the first time ever.

DEATH WHISTLES THE BLUES, set in New Orleans and based on a novel by the authors of VERTIGO, is a hard-boiled tale of betrayal, violence and revenge featuring smoky jazz compositions by Franco himself. Jean Servais of RIFIFI fame stars in RIFIFI IN THE CITY, a nihilistic trip through a pulp underworld of thugs, snitches, nightclub dames and black-gloved giallo-style murders.

As a Franco fan, DEATH WHISTLES THE BLUES will make you immensely happy. The film is an absolutely classic film noir, showcasing Franco's unique vision and storytelling prowess. RIFIFI IN THE CITY, on the other hand, is a lost gem, a rediscovery that proves Franco's ability to captivate audiences with his gritty, stylized approach to the genre.

The American premiere of these two long-unseen Franco films is a treat for cinephiles and fans of the film noir genre. The HD scans from the original negatives breathe new life into these works, allowing audiences to fully immerse themselves in the smoky, moody atmospheres and gripping narratives that Franco has crafted.

In DEATH WHISTLES THE BLUES, Franco's signature style is on full display, with the director blending elements of crime, jazz, and his own distinctive visual flair to create a truly captivating experience. The performances, particularly that of the legendary Jean Servais, are equally compelling, drawing the viewer into the dark and twisted world of the film.

RIFIFI IN THE CITY, on the other hand, offers a more nihilistic and gritty take on the film noir genre. Franco's exploration of the pulp underworld is both unsettling and engrossing, with the director's penchant for stylized violence and unconventional storytelling techniques keeping the audience on the edge of their seats.

The American premiere of these two long-lost Franco films is a must-see event for anyone with a passion for classic cinema and the art of film noir. The HD restorations ensure that these works are presented in the best possible quality, allowing the audience to fully appreciate the director's singular vision and the lasting impact of his contributions to the genre.

Whether you're a longtime Franco fan or a newcomer to his oeuvre, the opportunity to experience these two lost gems on the big screen is a rare and exciting one. So immerse yourself in the smoky, stylized worlds of DEATH WHISTLES THE BLUES and RIFIFI IN THE CITY, and discover the enduring power of Jess Franco's unique brand of film noir.

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